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A New Light in the Harem (mk32)
Painting ID:: 25069
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Frederick Goodall
A New Light in the Harem (mk32)
Une nouvelle lumiere dans le harem huile sur toile 122 x 213.5 cm 1884 Sudley Art Gallery Liverpool Non seulement le nouveau-ne n'etait jamais laisse seul mais on le protegeait par certains rites contre le mauvais ceil
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Marchande de pigeons egyptienne (mk32)
Painting ID:: 25226
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Frederick Goodall
Marchande de pigeons egyptienne (mk32)
huile sur toile monogrammee datee 1875 94.5 x 70.5 cm Coll part Anc Gallery Keops Geneve Une femme fellah vend des pigeons a manger
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Jessie's Dream:The Campbells are Coming,Lucknow,Septermber,1857
Painting ID:: 27969
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Frederick Goodall
Jessie's Dream:The Campbells are Coming,Lucknow,Septermber,1857
1858
oil on canvas 80.4 x 121.9 cm (31 5/8 x 48 in)Sheffield Museum and Mappin Art Gallery (mk63)
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Jessie's Dream:The Campbells are Coming Lucknow,September,1857
Painting ID:: 27973
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Frederick Goodall
Jessie's Dream:The Campbells are Coming Lucknow,September,1857
1858
oil on canvas 80.4 x 121.9 cm
(315/8 x 48 in)
Sheffield Museum and Mappin Art Gallery (mk63)
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Puritan and Cavalier
Painting ID:: 28210
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Frederick Goodall
Puritan and Cavalier
1886
Oil on canvas 113 x 184.8 cm
(44 1/2 x 72 7/8 in)Walker Art Gallery Liverpool (mk63)
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Frederick Goodall
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British Painter, 1822-1904
Painter, son of Edward Goodall. He was taught by his father and first exhibited at the Royal Academy in 1838. His earliest subjects were rural genre scenes and landscapes, many derived from sketching trips made between 1838 and 1857 in Normandy, Brittany, Wales, Ireland, Scotland and Venice. In the 1850s he also painted subjects from British history. More significant for his subsequent career was his visit to Egypt from September 1858 to April 1859. In Cairo he lived in a house in the Coptic quarter with Carl Haag. Together the two artists went on expeditions to Giza to draw the Nile, the Sphinx and Pyramids, and to Suez and across the Red Sea to the Wells of Moses at 'Uyen Mesa. Goodall also made rapid sketches in the crowded streets of Cairo. 'My sole object in paying my first visit to Egypt', he wrote, 'was to paint Scriptural subjects'. The first of these, Early Morning in the Wilderness of Shur (London, Guildhall A.G.), was exhibited at the Royal Academy in 1860 and won him critical and popular acclaim. In 1864 he was elected RA. Much of the rest of Goodall's long career was devoted to painting similar scenes of Egyptian life with biblical associations, for which he made reference to his sketches and to Egyptian artefacts and clothing. Their success prompted a second visit to Egypt in 1870-71. |
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| Isaac Levitan | Karin Bergoo | Adam Willaerts | |
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